CLIPSE
HELL HATH NO FURY (GOLD VINYL) 2LP
PREORDER out 2/20/2026

*This is a pre-order. Items will ship on or around the release date of FEBRUARY 20, 2026. For orders that have multiple items with pre-orders, all items will be held until every item from the order is available to ship. Please contact us with any questions.

UPC: 199584024318
Label: SONY LEGACY
Format: LP
Release Date: FEBRUARY 20, 2026

Clipse’s sophomore album, Hell Hath No Fury, is a masterclass in hip-hop. Released in 2006, and now available on exquisite gold vinyl, this album plunges deeper into the duo’s gritty narratives and intricate lyricism. With tracks like “Mr. Me Too” and “Wamp Wamp (What It Do),” it showcases their unique sound and the unmistakable influence of The Neptune’s innovative production.

In the four years after The Clipse dropped their sophomore classic Lord Willin' the duo was able to build a legacy that had fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash Grindin, Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha's inventive drug-game metaphors and Malice's soul-baring confessionals.

From the bouncy lead single Mr. Me Too and the Slim Thug assisted Wamp Wamp to the oddly haunting Keys Open Doors to Momma I'm Sorry, Hell Hath No Fury represents some of the duo's best work. On the hypnotic Keys Open Doors, over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the competition, while the spine-tingling boom-bap of Ride Around Shining sets the stage for Pusha's hilarious boasts. Whether rhyming over distorted, lo-fi guitar plucks (Dirty Money) or overblown 808s (Trill), the brothers come with colourful references and inventive word play that easily places them in a lyrical class of their own.