{"product_id":"825764107556","title":"BASEMENT BEEHIVE: GIRL GROUP UNDERGROUND – VARIOUS (PINK LEOPARD SWIRL) - LP •","description":"\u003cp\u003e\u003cstrong\u003eUPC: 825764107556 \u003c\/strong\u003e\u003cbr\u003eLabel: NUMERO GROUP \u003cbr\u003eFormat: LP\u003cbr\u003eRelease Date: September 14, 2018\u003cbr\u003eIn stock items ship within 48 hours\u003c\/p\u003e\n\u003ch3 class=\"h5\"\u003eTrack List\u003c\/h3\u003e\n\u003col class=\"tracks\"\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Four J’s\u003c\/span\u003e \u003cspan class=\"title\"\u003eWill You Be My Love\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Chantells with The Aqua Lads\u003c\/span\u003e \u003cspan class=\"title\"\u003eI’ll Never Know\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Passionetts\u003c\/span\u003e \u003cspan class=\"title\"\u003eMy Fault\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Tonettes\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Gotta Know\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eVickie \u0026amp; The Van Dykes\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Wanna Be A Winner\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Vandelettes\u003c\/span\u003e \u003cspan class=\"title\"\u003eA Love Of Mine\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Devilettes\u003c\/span\u003e \u003cspan class=\"title\"\u003eI’ll Say Yes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eDot and The Velvelettes\u003c\/span\u003e \u003cspan class=\"title\"\u003eSearching For My Man\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Chapells\u003c\/span\u003e \u003cspan class=\"title\"\u003eHelp Me Somebody\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eDevotions\u003c\/span\u003e \u003cspan class=\"title\"\u003eSame Old Sweet Lovin’\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Hill Sisters\u003c\/span\u003e \u003cspan class=\"title\"\u003eMy Lover\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Soulettes\u003c\/span\u003e \u003cspan class=\"title\"\u003eFind Somebody New\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Mellow Dawns\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Don’t Believe\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Cineemas\u003c\/span\u003e \u003cspan class=\"title\"\u003eNever Gonna Cry\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eUnkown Artist\u003c\/span\u003e \u003cspan class=\"title\"\u003eGoodbye Baby\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eJudi \u0026amp; The Affections\u003c\/span\u003e \u003cspan class=\"title\"\u003eDum, Dum, De Dip\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Para-Monts\u003c\/span\u003e \u003cspan class=\"title\"\u003eCome Go With Me\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Belles\u003c\/span\u003e \u003cspan class=\"title\"\u003eMelvin\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Petites\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Believe (The Man Loves Me)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eVoices\u003c\/span\u003e \u003cspan class=\"title\"\u003eFall In Love Again\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eCharles Pikes and the Scholars\u003c\/span\u003e \u003cspan class=\"title\"\u003eUnlucky In Love\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Contessas\u003c\/span\u003e \u003cspan class=\"title\"\u003eBroken Heart\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Shades\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Won’t Cry\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Monzas\u003c\/span\u003e \u003cspan class=\"title\"\u003eWhere Is Love\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eToni \u0026amp; The Hearts\u003c\/span\u003e \u003cspan class=\"title\"\u003eThank You Baby\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Dreamliners\u003c\/span\u003e \u003cspan class=\"title\"\u003eFrom One Fool To Another\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eThe Rayons\u003c\/span\u003e \u003cspan class=\"title\"\u003eBaby Be Good (While I’m Gone)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003ePaulette \u0026amp; The Cupids\u003c\/span\u003e \u003cspan class=\"title\"\u003eTeenage Dropout\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eBernadette Carroll\u003c\/span\u003e \u003cspan class=\"title\"\u003eLaughing On The Outside\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"artist\"\u003eUnknown Artist\u003c\/span\u003e \u003cspan class=\"title\"\u003eI Love You For All Seasons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmain role=\"main\" id=\"MainContent\" class=\"main-content js-focus-hidden\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-ajax-enabled=\"true\" data-enable-history-state=\"true\" data-section-type=\"product\" data-section-id=\"product-template\" id=\"ProductSection-product-template\" class=\"product-template__container page-width numero-content\"\u003e\n\u003cdiv class=\"product-single\"\u003e\n\u003cdiv class=\"main\"\u003e\n\u003cdiv id=\"description\" class=\"product-single__description rte\"\u003e\n\u003cp class=\"dropcap\"\u003eWe hear who these girls, these young women are, who they become behind that mic. Voice big, authoritative, divining sure devotion, dejection, and longing. The joy cuts through the rawness. Some of these women, that is all we know of them; all we know is their voice. Not a name. Were they a group, a fantasy, did they go on to other glory, were they receptionists in the studio or some cousin from around the way?\u003c\/p\u003e\n\u003cp\u003eThat’s what fascinates me about these Beehive girls, what I imagine most. What was this moment to them, this minute or three we hear them on here. For some we know it was a transformative moment, a first, this space and place, this point in time where they reached out for something with their big voice and the world met them. For some of them it was sheer ambition, others it took goading, others we encounter here at a moment that feels like the dawning of an obvious fate before they swept up the charts or became a voice we would hear sampled for decades. So did because they liked to sing with their friends. You could do it anywhere. \u003cbr\u003e\u003cbr\u003eWhat we encounter in these girls and their life stories is the mutability of young womanhood. We get a survey of the prospects and possibilities of teenage girl life. We see all the impossible doors that had to open again and again for them to even have something small, and as importantly we see what a superhuman feat it was to surmount all the sureness of these sealed girlfates. The young married mothers went on the road and stayed, I wonder what were the circumstances that availed that, when the same circumstances stopped another girl’s career cold. To be your own person as well care for your family, your husband, and then babies of your own was not a thing that was easily reconciled then. Until the mid-’70s, for young women to pursue a careers was still unconventional. You might do secretarial work or study until you got married. If you worked after you were married it might be at your husband’s discretion. It’s hard to imagine the teen-geniuses you heard in this box of Beehives all living grim lives, but merely suggest we consider the baseline state of girl existence then, the premium put on keeping one’s girlhood respectable and modest, as well as the racialized expectations that enclosed their lives. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGirl groups specialized magic was the energized projection of chastity—they stood starkly against all the reckless resolutions and temptation inherent to rock n’ roll. Young women were often essentially passed from their father to their husband, who were tasked with their protection and keep. How far your dreams extended outside your head were pursuant to parental permission, their attitudes and relationships with music, how far your singing strayed from church singing. Marriage and babies were a predetermination, the regular route; straying from it was a sign of a moral corruption, selfishness, or infirmity. \u003cbr\u003e\u003cbr\u003eWhat circumstances had to align for the girls who got further? A husband who loved their voice? A husband in a band? Did her hope float on his ambition? A husband who saw the little bit of ends she was making and deemed the effort worthwhile? A brother who needed a singer for his songs? A mom or sister at home who could take that baby while she toured? A mom at home who lived to see her daughter thrive? A father who did not fret about what applause and stage lights might draw his daughter into?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDid these girls threaten and cajole? Did they bargain? Did they plot? Did they do it anyway? What were the stakes and the trade-offs and the risks? And what of the girls with their dreams deferred, muted by marriage and babies and band break-ups? Did those dreams live out in church choirs and lullabies? What becomes a dream in a time when the fullness of your talents, your desire, the mere existence of your ambition is not yet permissible—how do you live? How do you stake this for yourself? What of yourself do you mute? What ways do you origami-fold your dreams into being?\u003cbr\u003e\u003cbr\u003eGirl dreams need a thousand contingencies.\u003cbr\u003e\u003cbr\u003eGirl dreams need a thousand contingencies because they had to pass through other people’s expectations. What good girls do. What’s the wrong idea you could give someone about who you are in a song. What is good enough. What is godly enough. Girls are the guardians, but not the gatekeepers, of their own dreams. These girls dreams were liable to be crushed soon as their leapt from their throats.\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eFor decades we have cited the looming Svengalis, high hair, the tender camp of chaste tragedies of the songs, these tenth grade loves and wedding-bell fantasia made brilliant by the eager young voices that carried it; But how much consideration have we ever given of their girls own cunning and their artistry? The premium work being one of authenticity, and authenticity always seemed to mean it has to be yours, it had to come from you, your experience. Not crafted in another room and applied as a loose pop science in a studio. But what about these girls, their groups was this not as real? How to accord them what is due to them, for what imagination they capture these songs? Who do these women, these artists, become in our minds and in music history when we believe what they are expressing is their own thought and feeling?\u003cbr\u003e\u003cbr\u003eGirl groups were considered unsellable, unmarketable, and a fad. Managers and many record labels believed they were a gimmick, despite evidence to the contrary. Though the Chantels were the first girl group to prove they had the longevity of more than one hit, and the Bobbettes before them made it to the Top 10 and #1 on the R\u0026amp;B charts simultaneously, with their own composition “Mr. Lee,” yet these precedents didn’t become standards, or accord teen girls their own genius. The Svengalis around girl groups were often the ones that insisted that they perform and record gimmick songs and novelty answer backs; and yet teenage girls were supposed to trust these men’s expertise. Ageism, racism, and sexism of the era often combined to keep these young women from being able to advocate for their own talents. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCareers were run by managers and label men who believed that the role of girls was relegated to fandom; to scream for Frankie Lyman, to scream for their Beatle, to scream for Dion. Their conception was that girls wouldn’t sell to other girls, no matter the image. They did not account for what girls see, they can be; girls as iconic to other girls is the very origin of this thing, but they also provide a sense of permission. Sometimes loving Frankie Lyman is not enough, and you want those screams for yourself. Girls were supposed to be the frenzy, not cause it. \u003cbr\u003e\u003cbr\u003eWe claim and reclaim these girls post-facto; in 2018 an awakened reconciliation for these talents, talents that were considered interchangeable to the point of disposability then, is progress. We read the stories again and again of names not even being right and try to root them out and, better still, know them. Even here, we have mystery girls, their identities lost to history (Will they ever hear their voices? What would it be to find yourself here decades later?) Often the only verifiable truth of the thing is the tape; the only history is what’s audible, what they conjure in those notes.\u003c\/p\u003e\n\u003cp\u003eWhat these girls gave in situations where there was no credit, little or no money, a finite chance. What they gave so fully are their voices and their talents, claiming this chance to harmonize along with their sisters, cousins, friends, classmates. To give it everything despite knowing what would likely elude them: credited by name, a chance to pursue opportunity with the same doggedness as the men in their backing band, dynamic material that reflected their lived experiences, the ability to make music the substance of their lives, their hope. Is that not the very definition of true artistry? To abandon the outcome and sing the song for the sheer sake of giving life to the thing? They sing because it’s all they can do.\u003c\/p\u003e\n\u003cp\u003eBasement Beehive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-recommendations\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"backToCollection\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/main\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-footer\"\u003e\n\u003cfooter data-section-type=\"footer-section\" data-section-id=\"footer\" role=\"contentinfo\" class=\"site-footer critical-hidden\"\u003e\u003c\/footer\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NUMERO GROUP","offers":[{"title":"LP","offer_id":40113541611619,"sku":"825764107556","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/2553\/7123\/products\/image_23fce2b7-b914-4a7a-b532-6ffff87d0a5f.png?v=1665711734","url":"https:\/\/lunchboxrecords.com\/products\/825764107556","provider":"Lunchbox Records","version":"1.0","type":"link"}