THE A'S <br><small>FRUIT (NORTH CAROLINA RETAIL EXCLUSIVE)  (COTTON CANDY GRAPE VINYL LP)<br>PREORDER out 8/19/2022<br></small>

THE A'S
FRUIT (NORTH CAROLINA RETAIL EXCLUSIVE) (COTTON CANDY GRAPE VINYL LP)
PREORDER out 8/19/2022

PSYCHIC HOTLINE

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*This is a pre-order. Items will ship on or around the release date of AUGUST 19, 2022. For orders that have multiple items with pre-orders, all items will be held until every item from the order is available to ship. Please contact us with any questions.

preorder - out 8/19/2022

UPC: 850034504391
Label: PSYCHIC HOTLINE
Format: LP
Release Date: AUGUST 19, 2022

Cotton Candy Grape LP | NC Indie Store Exclusive (Limited to 150 Copies)

The A's is Amelia Meath (Sylvan Esso, Mountain Man) and Alexandra Sauser-Monnig (Daughter of Swords, Mountain Man). The project's debut album FRUIT is wild, weird cosmic cowboy songs performed on hair, ice chunk, nylon shorts, gravel, guitar, and more. Freaky and beautiful, covers and originals - dive on in.

TrackListing:

1.HeNeedsMe
2.SwingandTurnJubilee
3.WeddingDress
4.WhyI’m Grieving
5.WhenTheBloom IsOnTheSage
6.MyPonchoPony 
7.GoToSleepMyDarlingBaby 
8.CopperKetle
9.WhenIDie
10.BuckeyeJim

Alexandra Sauser-Monnig and Amelia Meath have been yodeling together for upwards of fifteen years – in the backseat of a Prius while on their first cross-country tour, on back porches and backstages. It’s what led them to Fruit, their debut release as The A’s – a joyous ten-song collection spanning genre and decades, with interpretations of traditionals, lullabies, and an original song, it weaves between the weird and the wonderful.

“Why I’m Grieving,” originally recorded by the DeZurik Sisters, was the inspiration for the A’s existence. The A’s reach into the past to hold hands with the DeZurik Sisters, two farm girls from rural Minnesota who taught themselves to yodel amongst all their animals, in a continuing celebration of the tradition of folk eccentricity and whimsy.

The A’s played their first show together in 2013 after Sauser-Monnig first moved to North Carolina, where Meath had been living at the time, but it wasn’t until summer 2021 that they thought seriously about making Fruit. They decamped to Sylvan Esso’s Chapel Hill studio, Betty’s, for two weeks in the midst of a balmy and blooming Carolinian summer. They rehearsed during the day, deconstructing yodeling parts phonetically and staring absurdly into each other’s eyes as they practiced tongue twisting harmonies - and recorded in the nighttime, candles lit, a flickering glow against the windows framing the violet twilight outside.

“There was a lot of giggling during the session,” Sauser-Monnig explains. “At one point I was getting a tangle out of my hair and was like, oh, my God, that sounds really cool – the sound of my hands in my hair. And then I thought, what if we recorded hair for a percussion track? And then it just sort of snowballed.”

Across the record, the A’s employ a bizarre-o ghost orchestra of strange noises that are percussive and melodic. The credits include nylon shorts, string (singular), hair, shoes, ice chunk, gravel, frog sample, and shoelace, among other unexpected makeshift instrumentation. The backing band is built out by a more traditional group of players: saxophone from Sam Gendel on “Copper Kettle,” backing vocals from Jenn Wasner (Flock of Dimes, Wye Oak) on “When I Die,” string arrangements from Gabriel Kahane on “He Needs Me,” and more.

Fruit is made up simply of songs the A’s love to sing – there are lullabies and love songs; “He Needs Me,” written by Harry Nilsson and first released by Shelley Duvall in the 1980 Popeye film; traditional ballads like “Swing and Turn Jubilee,” “Copper Kettle” and closer “Buckeye Jim,” a multiplying song about frogs and nature. The sole original track to appear on the album is the penultimate “When I Die,” written by Meath. It contains both wishes and instructions for the celebration of her death, a low synth bubbling beneath Sauser-Monnig and Meath’s voices.

It’s a collection of ten seemingly incongruous songs, but with the throughline of Sauser-Monnig and Meath’s vocals and sense of humor working in tandem, they fit together into a cosmic yodeling-folk masterpiece. Fruit feels like blowing the dust off a precious artifact of decades past, but also winking and modern. Sauser-Monnig sums up their ethos on the project succinctly: “If it doesn’t make you cackle or cry, it doesn’t belong.”

Produced by Amelia Meath, Nick Sanborn and Alexandra Sauser-Monnig

Recorded at Betty’s in Chapel Hill, NC

Engineered and Mixed by Alli Rogers

Mastered by Patricia Sullivan at Bernie Grundman Mastering

Amelia Meath: vocals, guitar, recorder, hair, shoes, ice chunk, gravel

Alexandra Sauser-Monnig: vocals, guitar, hair, string, kalimba, shoelace

Nick Sanborn: backing vocals, nylon shorts, water bottle, piano, piano housing, string, guitar, OP-1, bass, electronics, programming

Alli Rogers: backing vocals, frog sample

Gabriel Kahane: string arrangements on “He Needs Me”

Gabe Witcher: violin and viola on "He Needs Me"

Alan Good Parker: guitar on “Swing and Turn Jubilee”

Sam Gendel: saxophone on “Copper Kettle”

Jenn Wasner: backing vocals on "When I Die"

Sculptures and Art Direction: Alexandra Sauser-Monnig

Photography: Kendall Atwater

Lettering: Lauren Martin

Package Design: Miles Johnson

Paper mache party crew: Will, Genna, Emily-Kate, Renee, Lily, Willie, Erin, Leo, Ari, Tzeda, Dominique and Sid the dog.


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